However, no reader needs the foreshadowing remarks of Cromwell’s enemies (and a few of his friends) to remind her where all this will end: Cromwell was executed for treason and heresy at the Tower of London in 1540. His rise has been unprecedented and, for the realm’s oldest families, confounding. Born the son of drunken, abusive, provincial blacksmith, by 1536, when The Mirror and the Light begins, Cromwell has become “the second man in England” after Henry VIII, the king’s closest adviser and feared fixer, as well as viceregent of the fledgling Church of England. “I never know what I will do next.” The first two books in the trilogy, 2009’s Wolf Hall and 2012’s Bring Up the Bodies, both Booker Prize winners, were propelled by the force that inspired that awe: Cromwell’s seemingly unstoppable will. “I am in awe of myself,” admits Thomas Cromwell in Hilary Mantel’s The Mirror and the Light, her third and final novel in a series that’s transformed the popular understanding of the Elizabethan statesman’s life. These Classic Mysteries Offer a Very Modern Gender TwistĪfter My Friend Died, It Was My Job to Go Through His Unpublished Writing. Roman Polanski, David Bowie, and a New Solution to the Problem of Art Made by Monstrous Men Guess What? This Mystery Story Written by Robots Is Kind of Good!
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